Front full profile black and white original sketch from Bob Fosse’s Tony Award winning three act musical revue Dancin’ by noted Costume Designer Willa Kim featuring dancer in formal black two piece ensemble wearing white tie and vest with open tuxedo shirt having white flowered lapel and corresponding pocket square. Continue reading
The 45th annual Academy Awards were televised live by NBC on Tuesday March 27th 1973. The ceremony’s Best Directing Oscar statuette was bestowed to Bob Fosse for his film Cabaret.
“WINNER OF 8 ACADEMY AWARDS”
Cabaret (Allied Artists, R-1974). One sheet publicity promotional two color printed movie theater poster measuring 27 X 41 inches overall.
Thank you to the small but mighty group of dancers who braved the cold and danced with us this month in our February Master Class. The dancers learned “Dancin’ Man” (a duet version that Bob and Gwen performed on the Gary Moore show in 1958), revisited “Trumpet Solo” from Dancin’, and even tackled a bit of “Crunchy Granola Suite” from Dancin’ for good measure.
We hope you’ll join us for our next week of classes March 16-20. E-mail email@example.com for more information.
Bob Fosse as interviewed by Kevin Kelly for the Boston Globe, 1978
“I guess I’ve learned bits and pieces from just about everything I’ve done. But, still I’m not kidding when I say I have periodic bouts of fear about what I’m doing. I deal with. I come out OK.
Right now, in the middle of Dancin’, the fear’s minimal. One of the reasons is that it’s not a big Broadway musical in the financial sense. It’s relatively simple, not a million dollar zinger. It’s a big modest Broadway musical, emphasis on modest. It’s a bit easier to work without all that heavy financial pressure. The show’s in three acts, with simple but effective scenery. The three acts are not just for innovation. The cast is made up of 18 very hardworking dancers and they need the intermissions to recoup. There’s no book, just a series of dance pieces some telling a story, some existing for themselves.”
ALL THAT JAZZ
“It’s showtime, folks!” That’s the refrain of anxiety-ridden and unhealthfully driven choreographer Joe Gideon (Roy Scheider) at the center of Fosse’s semi-autobiographical musical extravaganza, also featuring star turns by Ann Reinking, Ben Vereen, and Jessica Lange. Scheider is never less than captivating in his portrayal of Gideon, a complicated figure not so secretly patterned after Fosse himself. Long out of circulation, the Oscar-winning tour de force is back on the big screen after a 15-year 4K digital restoration by The Film Foundation.
The Verdon Fosse Legacy mourns the loss of Joseph P. Harris, one of Broadway’s acclaimed producers and general managers. Mr. Harris served as company manager for Can Can starring Gwen Verdon in 1953, was general manager for the original production of Sweet Charity in 1966 and for Pippin in 1972, produced Chicago in 1975, was general manager for Big Deal in 1986, won the Tony for the revival of Sweet Charity starring Debbie Allen in 1986, and was associated with over 200 other plays and musicals during his lifetime. He died peacefully last Wednesday (2/11) at his home in Greenwich, CT.
Pictured is Gwen Verdon backstage as Charity Hope Valentine during the original Broadway “musical smash” hit Sweet Charity conceived, staged and choreographed by Bob Fosse at the Palace Theatre. Charity is showing a brassiere shoulder strap and wearing a light colored terry cloth robe with noted Broadway Stage Manager Paul Phillips in foreground. The provided 1967 news-wire corresponding press caption does not use the word tattoo, it is described as a “heart painted on her arm” by Phillips. The top center left shoulder hand painted single arrowed heart reads the name of her no good boyfriend “CHARLIE” appearing in Central Park New York City during Scene One, Act I.