Congratulations Jessica Lange! Lead Actress Emmy nomination “Feud: Bette and Joan”

Congratulations Jessica Lange on your Outstanding Lead Actress in a Limited Series or Movie Emmy nomination. Feud: Bette and Joan

A revered actress and three-time Emmy winner, Jessica Lange was perhaps a shoo-in for this year’s crop of nominees. After portraying Joan Crawford in Ryan Murphy’s miniseries “Feud: Bette and Joan,” Lange earned her eighth Emmy nod, and she will be competing against co-star Susan Sarandan in the lead actress in a drama category.

Published New York Times, March 1978: Dancin’ king is the toast of Broadway / Director Bob Fosse was jumping with joy last night at Tavern on the Green. He caressed his favorite lady, Jessica Lange, and wore a broad smile after his new musical “Dancin'” won rave reviews. Our own Clive Barnes called it “tremendous” and “fantastic.” 

Published NY Daily News, Monday, February 1, 1960: The Stars at Night. Gwen Verdon, Reed Dawson and Joan Crawford discuss program for variety show and ball to be held night of April 3 for beinfit of the new Children’s Clinic of the Postgraduate Center of Psychotherapy, 218 E. 70th St. Dawson is chairman of trustees of the Center.  Both Gwen and Joan will officiate at the affair.

 

HAPPY 86th BIRTHDAY

Today we send happy 86th birthday wishes to Hollywood star Tab Hunter!  

A product of Hollywood’s Golden Era, Tab Hunter became Hollywood’s “golden boy” and starred in over 40 feature films. One of Hunter’s first films for Warner Bros was The Sea Chase (1955), supporting John Wayne and Lana Turner. Oblivious to his sexuality, Hunter remained the all-American boy-next-door who guys envied and girls desired during the 1950s and 1960s. Being so popular that when he recorded a song called “Young Love”  it knocked Elvis Presley off the top of the charts and prompted the creation of Warner Records today known as Warner Music Group, as well as the purchase, by Jack Warner, of a popular baseball musical from Broadway for Hunter to star in. “Warner, as a gift, bought Damn Yankees! for me,” he notes in his biography Tab Hunter Confidential: The Making of a Movie Star, adding how much he enjoyed working with his costars, the assistant director Stanley Donen and choreographer Bob Fosse.

Joe Hardy a lovestruck baseball player portrayed by Tab Hunter on screen in 1958 for the Warner Bros movie musical Damn Yankees opposite leading lady Gwen Verdon as Lola the Devil’s seductress assistant. Lola was is the Tony Award winning character Verdon originated on Broadway with future husband and choreographer Bob Fosse.

Below is Tab Hunter’s heartfelt recollection of first seeing Verdon perform live with Jack Cole’s dance troupe in a Los Angeles nightclub and then working with Gwen filming Damn Yankees.

Thoughts of Gwen…

I first laid eyes on Gwen at Ciro’s night club on Sunset Boulevard in Hollywood. She had become the talk of the town as the lead dancer with the very exciting Jack Cole Dancers. I was hypnotized by her red hair whirling above those beautiful, long legs that seemed to start at her neck and go on forever. I have never forgotten that evening. At the time I was still in high school with no aspirations to be an actor.

A few years later I was under contract to Continue reading

This is our “Once-A-Year Day!”—Happy Fourth of July! The Pajama Game 1957

Happy Fourth of July!  Since many Americans will celebrate this holiday with a picnic in the park, here’s a fun clip of Bob Fosse’s “Once-A-Year Day” from the 1957 film version of “The Pajama Game.”

In a Dance Magazine article (1957), Carol Haney described the “Once-A-Year Day” choreography—both the choreography of the movement and of the camera: “For a scene like the big “Once-A-Year Day” number—the picnic dance which we did on location in a park—Bob Fosse re-choreographed his original dance completely to involve more people and all the space you can cover with a camera. And Stanley Donen, who knows about dance, photographed it in wonderful travelling shots that captured all of the dynamism of the movements and at the same time provided enough air around the performers to make their movements significant. You see, you just can’t set up your camera and photograph a dance…You have to know just where to place it, which angle will make it exciting and alive.”