Why “www.VerdonFosse.com” ?

Personal stationery top center titled “Verdon – Fosse” and below reading longhand in ink “Thank you Gwen” 

After receiving Bob Fosse’s estate, all official documents came to Gwen Verdon titled “Verdon – Fosse.” Additionly we are paying homage to her own personlized stationery. See above.

Bob Fosse’s “Life as a Long Rehearsal” American Film, 1979

American Film | Magazine of the Film and Television Arts | November 1979
Bob Fosse’s All That Jazz: A Life As Extravaganza

“Bob Fosse’s All That Jazz is a confessional, hallucinatory extravaganza.  Here is his candid assessment of frenetic life in film and theater.” Continue reading

Age 27 Bob Fosse’s “Humdinger” The Pajama Game, 1954

“A SMASH-HIT MIXTURE OF RACEHORSE AND EXPLOSIVE!” - Time Magazine

“A SMASH HIT – A POWERHOUSE – IRRESISTIBLE” - Variety

“A WHALE OF A SHOW!”   “A SURE – FIRE WINNER!”   “THE BEST AT LAST!”

“BRIGHT, BRASSY AND JUBILANTLY SASSY SHOW!”

The Pajama Game original Broadway production opened on May 13, 1954, and closed on November 24, 1956, after Continue reading

“Gwen Verdon: too hot for Hollywood?” Tempo News, 1955

“She’s everything the undesirable made absolutely and forever desirable.”

An overview photograph of “Gwen Verdon: too hot for Hollywood?” news article appearing in “Tempo News.” Tempo or “Quick News” was a weekly supermarket check-out magazine aimed towards the suburban American housewife market of the 1950s. Measuring 4 x 5 3/4 inches.

This particular Tempo News issue was published “July 18, 1955.”

Brian's property Article captions reading in-part: Continue reading

Gwen Verdon’s personal performace scrapbook, 1950s

Pictured above housed within an archival paper storage box clearly side labeled “Fosse Verdon Archives” is dancer Gwen Verdon’s personal scrapbook, about 40 detached pages dating from the 1940s to early 1960s with the majority of clippings and content dating from the 1950s. Most pages are double sided and overall contain hundreds of photographs and newspaper clippings spanning three of her five decade or half-a-century career in the American performing arts.

Three interior affixed scrapbook newspaper clippings read: “Small World By Douglas Watt, Show People,  Continue reading

Bob Fosse’s Chicago rare press photo after musician strike, 1975

Pictured above an image of “ticket-seekers” line formed outside of the 46th Street Theatre. Having the marque top billing centered reading “Gwen Verdon Chita Rivera Jerry Orbach, Chicago, A Musical Vaudeville” also reading Continue reading

Gwen Verdon’s “Living Legend” medallion Library of Congress, 2000

Cast bronze circular medallion reading “Living Legend” first bestowed in April of 2000 to Gwen Verdon from the “Library of Congress” during its bicentennial celebration, having a fabric red, white, and blue neck ribbon. Housed within a custom-made mahogany square wooden box with dark blue felt interior lining.

Established during its bicentennial celebration in 2000, the Library of Congress’ “Living Legend” award is selected by Continue reading

Age 25 Gwen Verdon’s Broadway debut Alive and Kicking with Jack Cole, 1950

Alive and Kicking a “New Musical Revue” production opened on Broadway at the Winter Garden Theatre on January 17, 1950 and closed on February 25, 1950, after 46 performances.

Gwen Verdon pictured in performance with famed choreographer Jack Cole. The above image is from an archival paper indexed reference file stamped “Fosse Verdon Archives” and according to the handwritten notes by Gwen Verdon verso, this particular image was published in Dance Magazine’s April 1983 issue and was originally captured during the “Dove’s Blues” an “East Indian” themed dance number from her 1950 Broadway debut show Alive and Kicking.

Below detail image of promotional handbill flyer top center picture and corresponding caption reading “Jack Cole and Dancer.” Continue reading

Bob Fosse’s “Hernandos Hideaway” hand embellished textile, 1954

Possibly production used hand embellished textile, being primarily constructed of a heavy black woven wool material having hand sewn golden metallic sequined letters reading “Hernando’s Hideaway” outlined with corresponding side-by-side bugle beads painted over with a red gloss paint, appears to be nail polish. Considerable amount of surface paint-loss to sequins and beads present, also having fabric corner tears consistent with age and or possible performance use.

“Hernando’s Hideaway” is a tango show tune, largely in Long Metre, from Act II of the musical The Pajama Game, written by Richard Adler and Jerry Ross, published in 1954. The lyrics describe a dark and secretive Continue reading