Published New York Times, March 1978: Dancin’ king is the toast of Broadway / Director Bob Fosse was jumping with joy last night at Tavern on the Green. He caressed his favorite lady, Jessica Lange, and wore a broad smile after his new musical “Dancin'” won rave reviews. Our own Clive Barnes called it “tremendous” and “fantastic.”
Published NY Daily News, Monday, February 1, 1960: The Stars at Night. Gwen Verdon, Reed Dawson and Joan Crawford discuss program for variety show and ball to be held night of April 3 for beinfit of the new Children’s Clinic of the Postgraduate Center of Psychotherapy, 218 E. 70th St. Dawson is chairman of trustees of the Center. Both Gwen and Joan will officiate at the affair.
Today we send happy birthday wishes to star Cabaret actor Michael York born March 27, 1942. British writer Brian Roberts was Michael York’s title character role in Bob Fosse’s1973 eight time Academy Award winning musical film Cabaret. The film is set in 1931 Berlin and the Kit Kat Klub whereLiza Minnelli is entertainer Sally Bowles and Joel Grey plays the Emcee.
Pictured below are five promotional printed Cabaret (United Artists, 1972) movie theater display lobby cards featuring Michael York with his co-stars Liza Minnelli and Joel Grey, each measuring 11 x 14 inches overall.
Overview image of Bob Fosse’s bestowed nickel patina Tony Award medallion reading: “The American Theatre Wing presents to Bob Fosse, Choreographer For Distinguished Achievement in Theatre, DANCIN’, 1978” measuring 3 inches in diameter, trophy mounted.
Front full profile black and white original sketch from Bob Fosse’s Tony Award winning three act musical revueDancin’ by noted Costume Designer Willa Kim featuring dancer in formal black two piece ensemble wearing white tie and vest with open tuxedo shirt having white flowered lapel and corresponding pocket square.Continue reading →
Bob Fosse as interviewed by Kevin Kelly for the Boston Globe, 1978
“I guess I’ve learned bits and pieces from just about everything I’ve done. But, still I’m not kidding when I say I have periodic bouts of fear about what I’m doing. I deal with. I come out OK.
Right now, in the middle of Dancin’, the fear’s minimal. One of the reasons is that it’s not a big Broadway musical in the financial sense. It’s relatively simple, not a million dollar zinger. It’s a big modest Broadway musical, emphasis on modest. It’s a bit easier to work without all that heavy financial pressure. The show’s in three acts, with simple but effective scenery. The three acts are not just for innovation. The cast is made up of 18 very hardworking dancers and they need the intermissions to recoup. There’s no book, just a series of dance pieces some telling a story, some existing for themselves.”
Dancin’ 1978 souvenir performance program having front cover illustration art by Bob Gill