Overview image of Bob Fosse’s fifth bestowed nickel patina Tony Award medallion reading: “The American Theatre Wing presents to Bob Fosse, Choreographer For Distinguished Achievement in Theatre, “Sweet Charity”, 1965-66.”
Measuring 3 inches in diameter, mounted on a custom square presentation wall display with black velvet fabric surround. Continue reading
Good looking, so refined.
Featuring the ten original Sweet Charity girls of the Fan-Dango Ballroom where Charity Hope Valentine works a taxi dancer in the Times Square theater district of New York City. Dancers pictured in colorful full stage costume during celebrated musical number “Big Spender” from Act I, Scene 3 with Helene Gallagher, Thelma Oliver and the Fan-Dango girls. Continue reading
Tony and Olivier Award-winning dancer and choreographer, Ann Reinking appeared on Broadway in Coco, Wild and Wonderful, Over Here! (Theatre World Award), Goodtime Charley, A Chorus Line, and Tommy Tune Tonite!. Her credits for Mr. Fosse include Pippin, Chicago, DANCIN’, and Sweet Charity. She also starred in feature films such as Annie, Micki + Maude, and Fosse’s All That Jazz. Ms. Reinking later revived Chicago in 1996, recently celebrated as the longest running American musical. In 1998 Ms. Reinking co-created, co-directed, co-choreographed, and starred in the musical revue, Fosse. Aside from performing, Ms. Reinking has served as choreographer for Broadway, concerts, and TV, founded the professional training program: the Broadway Theater Project, and advocated for the National Marfan Foundation.
Three-time Tony Award-winner, Hinton Battle made his Broadway debut at age fifteen starring in the role of the Scarecrow in The Wiz. He went on to perform in many other Broadway shows like Sophisticated Ladies, Ragtime, Dreamgirls, The Tap Dance Kid, Miss Saigon, Chicago, and Fosse’s DANCIN’ and tour of Sweet Charity. Mr. Battle’s on-screen credits include dancing for The Kennedy Center’s 25th Anniversary, choreographing and starring as Bill ‘Bojangles’ Robinson in ABC/Disney’s Child Star: The Shirley Temple Story, playing the role of Wayne opposite Jamie Foxx in the movie musical Dreamgirls, and working as associate choreographer on the 65th and 66th Annual Academy Awards with Debbie Allen, just to name a few. He has directed and choreographed for stage, TV, and film, and recently returned from sold-out performances of Hinton Battle’s American Variety Bang II and will return to Japan in 2015 to launch the Hinton Battle Dance Academy and to write, direct, choreograph, and star in his third American Varity Bang.
The Verdon Fosse Legacy, LLC would like to congratulate the honorees of the 2014 Dancers over 40 Legacy Awards—especially former Fosse dancers: Eileen Casey, Carolyn Kirsch, and Penny Worth. Dancer over 40 is a non-profit organization with a mission to celebrate and preserve the lives and legacies of dancers. In the annual Legacy Awards, DO40 President John Sefakis states, “We choose to honor our own, and in doing so, we honor each other and our profession.”
Congratulations to all five Legacy Award honorees and thank you, Dancers over 40, for recognizing their involvement and influence in the dance community.
It is with sore necks and happy hearts that we ended our November master class last Friday. Lloyd Culbreath and Valarie Pettiford taught Fosse’s iconic “I Gotcha” trio from the Emmy Award-winning “Liza with a Z.”
Join us for The Verdon Fosse Legacy LLC’s next Master Class November 17th-21st from 10:30am-12:30pm at Manhattan Movement and Arts Center. We’ll be reconstructing “I Gotcha” from the Emmy Award-winning “Liza with a Z.” Learn this original repertoire from Fosse veterans Valarie Pettiford (DANCIN’, Big Deal, Chicago, Fosse—Tony nominated) and Lloyd Culbreath (DANCIN’, Sweet Charity, Big Deal). All levels of dance and/or Fosse experience welcome. Continue reading
Last week a group of Fosse students reconstructed “Streets of Laredo,” a five-part, eight-minute comedic ballet satirizing the rough, yet romantic American West: cowboys, saloon girls, hoedowns, bar fights, and, of course, a happy ending where the good guy comes out on top (quite the contrast to many of Fosse’s later more realistic works such as Sweet Charity and “All That Jazz”). Continue reading