On Monday, March 26th Dancers over 40 hosted a celebration of the 40th-anniversary of Bob Fosse’s DANCIN’. The sold-out event included a panel discussion by the original Broadway cast, a second panel comprised many of the show’s replacement performers, guest appearances by other Fosse veterans (host Bebe Neuwirth, surprise guest Ben Vereen, etc.), the LaDuca Lifetime Achievement Award (to Ann Reinking), and a magical performance of “I Wanna Be A Dancin’ Man.” Thank you to all who participated and came out to celebrate this incredible production and the dancers who brought the choreography to life. (For more photos, visit the Dancers over 40 Facebook page)
DANCIN’ opened on Broadway on March 27, 1978, and ran a very successful four years, and was Bob Fosse’s only all-dancing and all-singing musical. To mark this historic event, Dancers Over 40 will assemble a spectacular “once-in-a-lifetime” panel of original cast members for the 40th anniversary (almost exactly to the day of their 1978 debut) on March 26, 2018, at St. Luke’s Theater.
The anniversary celebration will feature video clips as well as live performances from DANCIN’ (Percussion 1 & 3, with assistance from the Verdon/Fosse Legacy). Celebrating with us will be original cast members Gail Benedict, Sandahl Bergman, Wayne Cilento, Christine Colby, Jill Cook, Linda Haberman, Rickard Korthaze, Ann Reinking, William Whitener and Fosse DANCIN’ assistant and long-time DO40 member, Kathryn Doby. There will be two panels, the first being the reunion with original cast members, moderated by author, theater historian – and now a documentary filmmaker – Ken Bloom (Broadway Musicals: The 101 Greatest Shows of all Time and the upcoming documentary on Gwen Verdon). The second panel will be hosted by Kevin Winkler and include cast replacements from DANCIN’ and other Fosse dancers, including Eileen Casey, Dana Moore, Lloyd Culbreath and Diana Laurenson. Also, mention must be made of those talents we have lost, including DO40 founding member John Mineo, as well as Rene Ceballos, Chris Chadman, Ed Love and Charles Ward.
Dancers Over 40 is an all-volunteer, membership-driven non-profit arts organization dedicated to preserving the history, legacy, and lives of our mature creative community while sharing the knowledge with the younger generation, particularly dancers just beginning their careers.
A revered actress and three-time Emmy winner, Jessica Lange was perhaps a shoo-in for this year’s crop of nominees. After portraying Joan Crawford in Ryan Murphy’s miniseries “Feud: Bette and Joan,” Lange earned her eighth Emmy nod, and she will be competing against co-star Susan Sarandan in the lead actress in a drama category.
Published New York Times, March 1978: Dancin’ king is the toast of Broadway / Director Bob Fosse was jumping with joy last night at Tavern on the Green. He caressed his favorite lady, Jessica Lange, and wore a broad smile after his new musical “Dancin'” won rave reviews. Our own Clive Barnes called it “tremendous” and “fantastic.”
Published NY Daily News, Monday, February 1, 1960: The Stars at Night. Gwen Verdon, Reed Dawson and Joan Crawford discuss program for variety show and ball to be held night of April 3 for beinfit of the new Children’s Clinic of the Postgraduate Center of Psychotherapy, 218 E. 70th St. Dawson is chairman of trustees of the Center. Both Gwen and Joan will officiate at the affair.
The Verdon Fosse Legacy was invited to reconstruct “I Wanna Be A Dancin’ Man” on the pre-professional students of the Steps on Broadway Conservatory Program. Veteran Fosse dancer and Legacy-sanctioned reconstructeur, Lloyd Culbreath, taught the piece with the help of his assistant, Marissa Calabrese, and vocal coach, Jan Horvath (also a veteran Fosse performer).
Bob Fosse choreographed “I Wanna Be A Dancin’ Man” as a tribute to his own personal dance icon, Fred Astaire. As the Act II opener from 1978’s musical revue, DANCIN,’ “Dancin’ Man” honors the charm and elegance of Astaire and celebrates the golden age of the Hollywood musical. But the ensemble production number also highlights a poignant, universal sentiment that lies at the heart of every dancer—despite all of the sacrifices (physical, emotional, professional), the dancer loves to Continue reading
The final sequence of a half hour documentary will be shot during a performance at:
The Schimmel Theater
December 6, 2015 at 2:00pm
The documentary will present the reconstruction of “Crunchy Granola” the opening number of Bob Fosse’s 1978 Broadway show DANCIN’ from auditions to the final performance.
The number has been reconstructed by Kathryn Doby in collaboration with Scott Jovovich and the dance department of PACE University. Continue reading
Bob Fosse’s Tony award winning musical revue Dancin’ national tour original black and white news print press proof photograph. With verso publication date red ink blind stamped “DEC 24 1980” having corresponding newspaper clipping affixed reading:
By Robert Alan Ross, St. Petersburg Times Critic
The show has no plot, message or consistent characters. Even so, Dancin’ delivers what its title promises. As one players says in his first-act greeting, it’s “dancing, some singing, and a lot more dancing.”
Strong, attractive and well-rehearsed, the national touring company of Dancin’ opening a six day local visit Tuesday night at the Bayfront theater, pleasing a capacity audience with Bob Fosse’s carnival of musical motion.”
A COLLECTION of routines that earned a Tony for director/choreographer Fosse in 1978, Danicn’ steps through a dozen styles in its three acts. But there’s an obvious reason for the apostrophe in the title.”
Overview image of Bob Fosse’s bestowed nickel patina Tony Award medallion reading: “The American Theatre Wing presents to Bob Fosse, Choreographer For Distinguished Achievement in Theatre, DANCIN’, 1978” measuring 3 inches in diameter, trophy mounted.
Front full profile black and white original sketch from Bob Fosse’s Tony Award winning three act musical revue Dancin’ by noted Costume Designer Willa Kim featuring dancer in formal black two piece ensemble wearing white tie and vest with open tuxedo shirt having white flowered lapel and corresponding pocket square. Continue reading