Published New York Times, March 1978: Dancin’ king is the toast of Broadway / Director Bob Fosse was jumping with joy last night at Tavern on the Green. He caressed his favorite lady, Jessica Lange, and wore a broad smile after his new musical “Dancin'” won rave reviews. Our own Clive Barnes called it “tremendous” and “fantastic.”
Published NY Daily News, Monday, February 1, 1960: The Stars at Night. Gwen Verdon, Reed Dawson and Joan Crawford discuss program for variety show and ball to be held night of April 3 for beinfit of the new Children’s Clinic of the Postgraduate Center of Psychotherapy, 218 E. 70th St. Dawson is chairman of trustees of the Center. Both Gwen and Joan will officiate at the affair.
The Verdon Fosse Legacy was invited to reconstruct “I Wanna Be A Dancin’ Man” on the pre-professional students of the Steps on Broadway Conservatory Program. Veteran Fosse dancer and Legacy-sanctioned reconstructeur, Lloyd Culbreath, taught the piece with the help of his assistant, Marissa Calabrese, and vocal coach, Jan Horvath (also a veteran Fosse performer).
Steps on Broadway Conservatory performs “I Wanna Be A Dancin’ Man” (photo: Eduardo Patino)
Bob Fosse choreographed “I Wanna Be A Dancin’ Man” as a tribute to his own personal dance icon, Fred Astaire. As the Act II opener from 1978’s musical revue, DANCIN,’ “Dancin’ Man” honors the charm and elegance of Astaire and celebrates the golden age of the Hollywood musical. But the ensemble production number also highlights a poignant, universal sentiment that lies at the heart of every dancer—despite all of the sacrifices (physical, emotional, professional), the dancer loves to Continue reading →
Bob Fosse’s Tony award winning musical revue Dancin’ national tour original black and white news print press proof photograph. With verso publication date red ink blind stamped “DEC 24 1980” having corresponding newspaper clipping affixed reading:
By Robert Alan Ross, St. Petersburg Times Critic
The show has no plot, message or consistent characters. Even so, Dancin’ delivers what its title promises. As one players says in his first-act greeting, it’s “dancing, some singing, and a lot more dancing.”
Strong, attractive and well-rehearsed, the national touring company of Dancin’ opening a six day local visit Tuesday night at the Bayfront theater, pleasing a capacity audience with Bob Fosse’s carnival of musical motion.”
A COLLECTION of routines that earned a Tony for director/choreographer Fosse in 1978, Danicn’ steps through a dozen styles in its three acts. But there’s an obvious reason for the apostrophe in the title.”
Overview image of Bob Fosse’s bestowed nickel patina Tony Award medallion reading: “The American Theatre Wing presents to Bob Fosse, Choreographer For Distinguished Achievement in Theatre, DANCIN’, 1978” measuring 3 inches in diameter, trophy mounted.
Front full profile black and white original sketch from Bob Fosse’s Tony Award winning three act musical revueDancin’ by noted Costume Designer Willa Kim featuring dancer in formal black two piece ensemble wearing white tie and vest with open tuxedo shirt having white flowered lapel and corresponding pocket square.Continue reading →
Bob Fosse as interviewed by Kevin Kelly for the Boston Globe, 1978
“I guess I’ve learned bits and pieces from just about everything I’ve done. But, still I’m not kidding when I say I have periodic bouts of fear about what I’m doing. I deal with. I come out OK.
Right now, in the middle of Dancin’, the fear’s minimal. One of the reasons is that it’s not a big Broadway musical in the financial sense. It’s relatively simple, not a million dollar zinger. It’s a big modest Broadway musical, emphasis on modest. It’s a bit easier to work without all that heavy financial pressure. The show’s in three acts, with simple but effective scenery. The three acts are not just for innovation. The cast is made up of 18 very hardworking dancers and they need the intermissions to recoup. There’s no book, just a series of dance pieces some telling a story, some existing for themselves.”
Dancin’ 1978 souvenir performance program having front cover illustration art by Bob Gill