Overview image of Bob Fosse’s fifth bestowed nickel patina Tony Award medallion reading: “The American Theatre Wing presents to Bob Fosse, Choreographer For Distinguished Achievement in Theatre, “Sweet Charity”, 1965-66.”
Measuring 3 inches in diameter, mounted on a custom square presentation wall display with black velvet fabric surround. Continue reading
Good looking, so refined.
Featuring the ten original Sweet Charity girls of the Fan-Dango Ballroom where Charity Hope Valentine works a taxi dancer in the Times Square theater district of New York City. Dancers pictured in colorful full stage costume during celebrated musical number “Big Spender” from Act I, Scene 3 with Helene Gallagher, Thelma Oliver and the Fan-Dango girls. Continue reading
After receiving Bob Fosse’s estate, all official documents came to Gwen Verdon titled “Verdon – Fosse.” Additionly we are paying homage to her own personlized stationery. See above.
“A SMASH-HIT MIXTURE OF RACEHORSE AND EXPLOSIVE!” - Time Magazine
“A SMASH HIT – A POWERHOUSE – IRRESISTIBLE” - Variety
“A WHALE OF A SHOW!” “A SURE – FIRE WINNER!” “THE BEST AT LAST!”
“BRIGHT, BRASSY AND JUBILANTLY SASSY SHOW!”
The Pajama Game original Broadway production opened on May 13, 1954, and closed on November 24, 1956, after Continue reading
Pictured above housed within an archival paper storage box clearly side labeled “Fosse Verdon Archives” is dancer Gwen Verdon’s personal scrapbook, about 40 detached pages dating from the 1940s to early 1960s with the majority of clippings and content dating from the 1950s. Most pages are double sided and overall contain hundreds of photographs and newspaper clippings spanning three of her five decade or half-a-century career in the American performing arts.
Three interior affixed scrapbook newspaper clippings read: “Small World By Douglas Watt, Show People, Continue reading
Alive and Kicking a “New Musical Revue” production opened on Broadway at the Winter Garden Theatre on January 17, 1950 and closed on February 25, 1950, after 46 performances.
Gwen Verdon pictured in performance with famed choreographer Jack Cole. The above image is from an archival paper indexed reference file stamped “Fosse Verdon Archives” and according to the handwritten notes by Gwen Verdon verso, this particular image was published in Dance Magazine’s April 1983 issue and was originally captured during the “Dove’s Blues” an “East Indian” themed dance number from her 1950 Broadway debut show Alive and Kicking.
Below detail image of promotional handbill flyer top center picture and corresponding caption reading “Jack Cole and Dancer.” Continue reading
In 1965, The Nederlanders turned New York City’s famed Palace Theatre into a legitimate theatrical stage for the opening of Sweet Charity starring Gwen Verdon.
Gwen Verdon played the title role of Charity Hope Valentine, a taxi dancer at a dance hall called the “Fan-Dango Ballroom” in Times Square, New York City.
Below pictured front cover of the 1966 original Broadway production program of Sweet Charity reading in part: Continue reading
Bob Fosse’s well-used personal working manuscript having front cover centered handwritten label reading “Pal Joey” and lower right side “Bob Fosse.” This was used by Fosse durring the highly acclaimed 1963 musical theater revival. The original 1940 Pal Joey Broadway production was directed by George Abbott and starred Gene Kelly.
The Pal Joey 1952 revival was met with greater success than the original production. It opened on January 3, 1952 and closed on April 18, 1953, after 540 performances. Bob Fosse was the understudy for Joey Evans.
Then some ten years later in 1963 Pal Joey was produced off-Broadway for 15 performances at New York City Center and starred Bob Fosse as Joey Evans, Viveca Lindfors as Vera, and Kay Medford as Melba.
See Pal Joey manuscript detail label images Continue reading
A single page advertising handbill (flyer) promoting ticket sales for the pre-Broadway tryout of the Dorothy Fields musical comedy “REDHEAD” at the National Theatre in Washington, D.C. beginning “December 30th, 1958.” “REDHEAD” was in full production over the 1958 New Years Eve holiday and first two weeks of January in 1959.
“Entire Production Directed and Choreographed by BOB FOSSE”
Advertising handbills (heralds) were distributed or inserted into the playbills of other productions to help generate ticket sales for upcoming shows and events. This single page, two-sided handbill measures 5 1/2 X 8 1/2 inches and includes a ticket order form with promotional text on the backside reading in-part: Continue reading