September at Steps on Broadway

We had an incredible month of master classes at Steps on Broadway with Legacy-sanctioned reconstructeurs including Lloyd Culbreath, Dana Moore, Mimi Quillin, Mary Ann Lamb, Shannon Lewis, Spence Ford, Elizabeth Parkinson, and proteges, Alyssa Epstein and Michael McArthur. Here are some highlights from the classes:

For more information about The Verdon Fosse Legacy and to bring a Fosse Master Class to a city near you, email theverdonfosselegacyllc@gmail.com.

VFL Protégé Program

The mission of The Verdon Fosse Legacy is to promote, preserve, and protect the artistic and intellectual property of Bob Fosse and Gwen Verdon. We are excited to announce the inaugural VFL Protégé Program, an invited educational and experiential training for the next generation of teachers and reconstructeurs of Bob Fosse’s choreography.

The Verdon Fosse Legacy would like to welcome Michael McArthur to our newly realized Protégé Program.  Michael has been studying, performing, and assisting various teachers at the Verdon Fosse Legacy for several years.  He has vast experience working in film and on stage in many disciplines in dance including modern, ballet, and jazz, and has served both as a swing and dance captain.   Michael also spent 10 years with the Radio City Rockettes under the direction of Bob Fosse dancer, Linda Haberman.

Bob Fosse Master Class Series featured on PIX11

The Verdon Fosse Legacy keeps the work of Bob Fosse and Gwen Verdon alive for a new generation of dancers

NEW YORK—She is one of the best to grace a Broadway stage.

And his choreography may be the most recognizable in theater history.

Together, their impact is immeasurable.

It’s why Nicole Fosse has made it her mission to make sure her parents’ work is kept alive, and preserved exactly how it was taught.

“Over the last few decades, the Fosse work that has been out in the world, it’s morphed over time and it’s lost its multifacetedness, People were putting on Bowler hats, doing jazz hands and thrusting their pelvis forward and I said, that’s not my father’s choreography,” Nicole Fosse said.

As artistic director, she’s brought in reconstructeurs who worked closely with her parents to work with a new generation of dancers.

“I come from the ballet world and so I was utilizing that format of how it’s passed on from generation to generation. It’s a whole work ethic, it’s the stories of how it was created, why it was created,” Fosse added.

It’s that repetition, fixing it, little details, living it, practicing it. That’s what takes you to the level of being the Fosse dancer. And I’m so grateful that I get to pass that on in some way,” reconstructeur Dana Moore explained.

Something that’s not lost on these aspiring artists.

“You’re not gonna get hands on training like this anywhere else. Where we spend three to four hours a day working on one piece, dissecting it, to the point where you’re doing everything exactly as it’s intended.” one dancer said.

Mimi in Milan, Fosse Master Class in Italy, 2017

Last month Mimi Quillin visited Milan, Italy and was welcomed to teach at the Centro Danzaricerca.  The studio, owned and operated by Agnese Riccatelli, was founded over thirty years ago and their students are currently in the finals of “Italy’s Got Talent.”  Mimi taught the Bob Fosse’s iconic “Rich Man’s Frug” from SWEET CHARITY, for which she served as dance captain and assistant to Bob and Gwen for the 1986 Broadway revival.

Mimi and Centro Danzaricerca owner, Agnese Riccatelli

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