The Verdon Fosse Legacy performed in the 9th annual Dance Against Cancer event at Lincoln Center. This year’s event raised over $450,000 for The American Cancer Society. Verdon Fosse Legacy Protege, Michael McArthur, reconstructed “Mexican Breakfast” (Ed Sullivan Show, 1969) for a trio of VFL dancers (Alyssa Epstein, Nicolas de la Vega, and Nicholas Sipes) and students from the Kanyok Arts Institute. Thank you to all of the dancers, donors, and administrators that helped facilitate this incredible performance for an incredible cause.
Linda Haberman taught a sold-out FOSSE Work Session at Steps on Broadway. Haberman served as assistant choreographer for Bob Fosse’s last original musical, BIG DEAL, and also performed in DANCIN’ and PIPPIN. Check out a short video clip from class (“Beat Me Daddy” from BIG DEAL).
Broadway Dance Center is proud to host The Verdon Fosse Legacy LLC for a series of 3-hour master classes, in which students will learn iconic Fosse® rep under the direction of Fosse® veterans. Don’t miss your chance to train in one of Broadway’s most acclaimed techniques! These Adv FOSSE® REP classes are for dancers ages 16+.
Each week, students will learn choreography from the previous episode of Fosse/Verdon on FX! Click here to register.
Fosse veteran Stephanie Pope (BIG DEAL, SWEET CHARITY) taught a master class to dancers of KMJ Jazz Company and Expressions Dance in North Carolina. Aren’t these kids just the cutest little “blackbirds” you ever did see?
“Fosse/Verdon” Leans on Fosse Biography, Nicole Fosse for Accuracy
The upcoming eight-episode series, starring Sam Rockwell as Bob Fosse and Michelle Williams as his partner Gwen Verdon, is based on Sam Wasson’s “Fosse” biography and the input of Nicole Fosse, the pair’s daughter who acts as a producer for the show. But when asked if “Fosse/Verdon” reached out to anyone else depicted in the series (including Shirley MacClaine and Ann Reinking), especially after Olivia de Havilland sued over the portrayal of her on “Feud,” the creative team demurred, pointing to the extensive research and interviews that Wasson had originally done for the book.
“There’s also archival material and all sorts of other stuff to look at,” said executive producer Joel Fields, who most recently painstakingly fact-checked fact versus fiction on “The Americans.” “But our goal is to explore a relationship between [Fosse and Verdon] and to do it in an authentic way, and we are never looking to whip something up. So I don’t think that’s been an issue for us. It’s been easy to follow what the truth was as we see it and to try to let the drama flow out of that.”