A nod to our reconstructeurs…

Through the Bob Fosse Master Class Series, Legacy-sanctioned reconstructeurs teach style, technique, and work ethic to students at dance studios and colleges across the United States and the world.  Our goal is to reconstruct—rather than revive, restage, or re-imagine—Bob Fosse’s choreography with the original intent and integrity.

This month, we’re honoring four of the Legacy’s core reconstructeurs: Lloyd Culbreath, Dana Moore, Valarie Pettiford, and Mimi Quillin.

Lloyd Culbreath Broadway/national tour credits include DANCIN’, SOPHISTICATED LADIES, THE TAP DANCE KID, BIG DEAL, SWEET CHARITY, HONKY TONK NIGHTS, KISS OF THE SPIDER WOMAN, GUYS AND DOLLS, ANYTHING GOES, ON THE TOWN (Assistant Choreographer), MAN OF LA MANCHA (Assistant Choreographer), CHICAGO (Dance Captain) and CHITA RIVERA: THE DANCER’S LIFE. Lloyd teaches at the June Claire Dance Center of Long Island.

Dana Moore Broadway/national tour credits include A CHORUS LINE, SWEET CHARITY, DANCIN’, ON YOUR TOES, THE WILL ROGERS FOLLIES, HOW TO SUCCEED…, SINGIN’ IN THE RAIN, DANGEROUS GAMES, SUGAR BABIES, COPPERFIELD, CHICAGO, FOSSE, and FALSETTOS.  Film credits include The Producers: the Movie Musical, Woody Allen’s Everyone Says I Love You, and the PBS special of FOSSE. Dana is a Musical Theatre faculty member at Marymount Manhattan College and teaches Theatre Dance at Steps on Broadway.

Valarie Pettiford Broadway/national tour credits include: SOPHISTICATED LADIES, BIG DEAL, DANCIN’, SWEET CHARITY, GRIND, WEST SIDE STORY, SHOWBOAT, CHICAGO, and FOSSE (Tony, Drama League, and Outer Critics nominee). Recent TV credits include “Half and Half” (3 NAACP Image nominations), “Being Mary Jane,” “Black-ish,” “True Blood,” “Born Again Virgin,” “Treme,” “Criminal Minds,” “CSI,” and “The Blacklist.” Film credits include “Jumping the Broom,” “Glitter,” and “Stomp the Yard.” Valarie is an NAACP Winner for best actress in the LA production of Michael John La Chuisa’s THE WILD PARTY as Queenie. She is a Bistro winner for the Cabaret Debut at the Metropolitan Room. She can be seen touring with her sold-out one women show around the country and has two CDs available on iTunes.

Mimi Quillin Broadway/national tour credits include the 1986 revival of SWEET CHARITY (Assistant Choreographer/Dance Captain), RAGTIME, and AIN’T BROADWAY GRAND. She recently won “Best Production” at the 2016 United Solo Festival for her one-woman show, “Call Fosse at the Minskoff.” Mimi continues to teach and choreograph for dance companies, theatres, and colleges across the country.

Request our reconstructeurs to teach at your university or studio or to speak at your event by e-mailing theverdonfosselegacy@gmail.com.

FOSSE heads to Holland! Valarie Pettiford teaches LMIPA students in Amsterdam

This month our very own Valarie Pettiford (Big Deal, DANCIN’, Fosse) traveled to Amsterdam to teach at the Lucia Marthas Institute for the Performing Arts. LMIPA is a university-like program that offers Bachelor’s Degrees, Intermediate Degrees, and preliminary courses in the performing arts: acting, singing, and dancing.

Earlier this year, Sigrid van Coillie visited New York with some of her LMIPA students and took a “Sing! Sing! Sing!” master class with Valarie. “Even in that first class,” Val remembers, “the students knew all about Bob and were familiar with his technique and style. They were overjoyed to have me really ‘work’ them!” says Valarie. After such a great experience, Sigrid invited Val to teach about twenty of LMIPA’s 4th year students for their graduation performance concert.

Valarie taught a medley of “Crunchy Granola Suite” (DANCIN’), “Dancin’ Man” (DANCIN’), and “I Gotcha” (“Liza with a Z”). “The number was only allotted a certain number of minutes,” Val explains, “so I was forced to cut down some of the choreography—which pains me to do. But the [Verdon Fosse] Estate granted me the liberty to abridge some of the numbers and also add more dancers to the piece.”

“This was a great experience for me, as well,” notes Val. “I liken it to when I was the dance captain for Big Deal. It’s a lot of responsibility to know everyone’s counts and movements and positions on stage. I had the time of my life teaching these incredible students. They were so willing and present. This experience reminded me why I’m in showbiz, why I love to teach, and why I’m so honored to pass on the torch of Fosse choreography.”

“It’s actually no surprise to me that Fosse is so popular abroad,” admits Val. “Fosse choreography is magical both to watch and to dance! The man was fierce and there was no one like him. Performing that work changes you as a human. It excites you and touches your core. Everybody ‘gets’ it and can relate to it for some reason. Fosse was a force to be reckoned with and I think that’s why he remains so popular all over the world.”

Thank you to Lucia Marthas, Sigrid Van Coillie, James Van Der Velden, Rich Ascroft, Jessica Schots, Roemjana, Steve Jones, Lloyd Culbreath, Valarie Pettiford, Nicole Fosse, and everyone else who made this possible.


10845983_10205769206483827_6421366582678102530_n 11390399_10205774885905809_4023365023966680190_nIf you are interested in having a Verdon Fosse Estate-sanctioned teacher come to your dance school or college, please e-mail theverdonfosselegacyllc@gmail.com.

Broadway World Interviews Lloyd Culbreath and Valarie Pettiford

broadwayworld_1331576590_600by Mary Callahan

Broadway World sat down with Broadway veterans, Lloyd Culbreath (DANCIN;’ BIG DEAL; SOPHISTICATED LADIES; THE TAP DANCE KID; HONKY TONK NIGHTS; ANYTHING GOES; GUYS AND DOLLS; CHITA RIVERA: THE DANCER’S LIFE; NO STRINGS, Encores; HOUSE OF FLOWERS, Encores; CARNIVAL, Encores; PROMISES, PROMISES, Encores; MAN OF LA MANCHA, Asst. Choreo.; ON THE TOWN, Asst. Choreo.) and Valarie Pettiford (TV/Film actress; CHICAGO, as Velma, London with Chita Rivera; SHOW BOAT Revival Tour, Julie; 30th Anniversary Tour of WEST SIDE STORY, Anita; SOPHISTICATED LADIES; GRIND; BIG DEAL; FOSSE, Tony Nominee), to discuss their efforts to preserve Bob Fosse’s legendary choreography for the next generation of dancers.  The pair held an exclusive Fosse Workshop in early February and invited fifty professional dancers to learn the signature style and articulation of Fosse choreography.  Nicole Fosse, the Director and Artistic Advisor for the Verdon Fosse Estate, remarked, “I want this current generation of working dancers to get the best possible people teaching them my father’s material.  There are so many false impressions out there of what my father’s style and technique is…By using Estate sanctioned teachers, I feel a new generation of dancers will have a much cleaner understanding of performing Fosse material.” Continue reading